Original oil Paintings of Creation
Cosmological research by painting,
the relationship of Man to Cosmos in rough textured oils and multi-layered translucent brushwork.
Original Artwork and Art Canvas Prints available by Wiesław Sadurski.
original Artwork 27 x 41 x 5 cm
Metaphor is about an artist
who's not yet there
who comes through raw canvas
just bleeding a bit
in coming to life
Human is the face of Creation:
Light crystallizes down into our worlds, all our worlds move towards the Light.
Reach oil textures, lots of half-transparent layers. Fascinating two years long work.
My idea was to create painting that look different in different light.
Yes, the painting shines even in a candle light. Seems to be made of light.
But in full light you see there is no black there, only the deepest blue in hundreds of semi-transparent layers.
The basic theme of print-paintings was the beginnings of life and its fantastic spaces.
The brush goes further towards the source of creation - drawing disappears, the space appear.
I use a lot of paints.
Now every image is created differently. Mostly I do not have a preliminary project or even an idea,
I start with just anything or squeeze a few tubes of paint onto the canvas and break colors with tapping brush. Seeing how lines of landscapes are emerging in a vision created by brush.
Between them I paint semi-transparent, multi-layered colors, deepening the space between the crude clots of oil, bringing light and space into it.
The basic movement of the brush is tap-tap-tap.., quick hits on the canvas. Three times faster than a heart-beat.
Light shines through what exists
Thick textured oil paints, many-layered transparent brushwork.
Landscapes of becoming,
visions unfolding from the brush,
poetic research on cosmology.
Love rules all right. Inspires my brushes. Allows them to paint visions.
Love rules ok. Inspires my brushes, allows them to paint visions.
I painted this motif in my first painting, the ‘December Dream‘, here in ‘Landscapes of Creation‘. A few months later, "Come into the Light" (above) was born. This is the ‘Tunnel of Love‘ that affects the meditator in a very special way.
I meditated, on the rare hours when I wasn't painting. It happened when the painting was ready. I was sitting deeply relaxed to rest, yeah, feeling quite happy to see the work done.
I looked at the little star in the great bowl of light. Very quiet. After ten or fifteen minutes, I saw surprise: the image somehow faded and a vision appeared, slowly pulsating color waves in the dark. A dance of joy, again!
There were always many guests coming and going; some of them wanted to meditate on painting. They were as surprised as I was trying to express their vision. And later, during my exhibitions, some meditators stared at the ‘Tunnel of Love‘ like a magpie at bones. Weeping.
Here is my statement. I am neither seer nor clairvoyant. My brushes are responsible! they have visions! I just follow, that is, I do what needs to be done.
Only eight years later, by creating works of art on consciousness, I understood the meaning of ‘sun in the sun‘. This is a symbol for the first awakening of consciousness.
Only fifteen years later, I started using the One Wave brush in Painting Energy Fields, corresponding to the vision from ‘Tunnel of Love‘.
The internal theme, intuition and intuitive research - is the creation of matter from the crystallizing light,
its organization in landscape-like thicknesses with the internal space-time,
subjected to the gravity of the experiencing mind and heart.
Sometimes the painting is created in one session, more often it needs a million brush strokes, what lasts weeks long, in rhythm three times faster than heartbeat. Tap-tap-tap.
Sometimes the painting is created as a vision that has just emerged, or during the act of destroying painting that I could not - how to determine it? - solve...
do you see my footsteps on the canvas above?
every step here explodes in fire,
from which the stars and worlds are born
I painted that oil painting above, where Girl is stuck between the eyes of the Demon.
30 years later, feeling compassionate, I let her dance for a while.
The internal situation is great; it is called: fulfillment.
I began to paint and I am already at my goal. That is to say: I found my vocation, my home, freedom.
Which is stretchable now, in one winter reaches the dimension of a light year.
on the very edge of being
at one with the creative forces of nature
felt I was the living brush held by a greater hand
I called it Art Yoga
Shots on the Border, 1987
original oil & fire painting on canvas 100 x 80 cm
All those years I had a GDR watchtower facing my windows,
these were the first ones in the West(Berlin).
And, between realms, there were "Shots on the border", the painting above.
Five bullets hit the canvas
but painting and painter live forever!
Indian Summer, 1988, original oil painting 150 x 120 cm
Art Canvas Print 150 x 120 cm cm
I like these streaks of chaotic colors referring to the vision of landscapes, one above the other, separated by sky or water.
What you see here is chaos turning into harmony. Warm spaces of harmony given to brutal creation.