Lightworlds, Landscapes of Enlightenment and Cosmic Vision in Paintings

Embark on a journey through the Lightworlds, where paintings serve as windows into realms of enlightenment and cosmic vision.

Starting with print-paintings and evolving through glazing techniques, I blend paints with oil and painting varnish to achieve striking brightness and captivating depth.

The Lightworlds Paintings are voyages of discovery. They stand as vivid manifestations of creative imagination, inviting you to explore the enchanting landscapes of light and beauty.

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The 'Bethlehem Star' painting captures a magnificent star's aura, with glimpses of the Bethlehem landscape peeking through its radiant rays.

Star of Bethlehem, 1979, oil/canvas 75 x 55 cm

The 'Flower of May' painting depicts a celestial yellow flower in the sky, centered within a circular frame of sun and sky.

Flower of May, 1984, oil/canvas 90 x 65 cm

Abstract painting depicting a translucent figure meditating amidst vibrant yellow blossoms, symbolizing clarity and spiritual enlightenment.

All is Transparent, Mr. Buddha! 1982, oil/canvas 134 x 134 cm

A Vision of Clarity and Enlightenment

"All is Transparent, Mr. Buddha!" emerges as a serene expression of clarity and enlightenment. The central figure, reminiscent of the awakened Buddha, is rendered in a soft, almost ethereal manner, its edges dissolving into the surrounding canvas. This visual portrayal of transparency symbolizes the dissolution of the ego, a state where the individual self merges with the universe, reflecting the Buddhist concept of non-self.

Surrounding the central figure, the vibrant yellow of the blossoms speaks of joy and spiritual richness. In Buddhism, the color yellow often represents humility and separation from materialistic desires, resonating with the theme of transparency and purity.

The background is a tapestry of pastel hues, gentle and inviting, which gives the sensation of a peaceful otherworldly realm. It's as though we're glimpsing a moment of profound meditation, where the veil between the physical and spiritual thins to the point of transparency.

In this piece, the marriage of form and formlessness invites contemplation. It beckons the viewer to consider the layers of reality and to perceive the interconnectedness of all things. The artwork is a visual meditation, a reminder that beneath the surface of our perceived separateness lies a unified field of oneness.

Lastly, the title itself, "All is Transparent, Mr. Buddha", implies a dialogue with the enlightened one, acknowledging the transparent nature of existence as seen through the eyes of a Buddha - a fully awakened being who sees the true nature of reality. It is an invitation to the viewer to join in this state of clear seeing and understanding.

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The 'Sun of May' presents a small star above a mountainous landscape spiraling into the distance, rendered in bright, perspective streaks.

The Sun of May 1984, oil/canvas 70 x 50 cm

This self-portrait shows a golden visage gazing at a tiny sun beneath, set in a golden cosmic space.

Selfportrait with the Sun, 1978, oil/canvas 120 x 100 cm

The 'Embryo' painting portrays a blue hole radiating lighter hues, creating a swirling spiral of cosmic energy.

Embryo, 1985, oil/canvas 180 x 130 cm

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The Essence of Light in the Lightworlds

In the "Lightworlds", light serves as the artist's humble muse. It sculpts galaxies and serene hills alike, imbuing each landscape with an ethereal glow.

These paintings are my modest attempt to capture the transformative power of light, to show how it intertwines with nature and creates breathtaking scenes.

I've tried to encapsulate the interconnectedness of the universe, the beauty that emerges from light, and the endless possibilities it unveils.

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This piece, 'Fuchsia Flowers,' displays three large fuchsia blooms with leaves, set against a sparkling background

Fuchsia Flowers, 1982, acrylic/canvas 134 x 134 cm


The 'Camellia Flower' is captured in a large, white-yellow bloom surrounded by green leaves and a glowing aura.

Camellia Flower, 1982, acrylic/canvas 134 x 134 cm


Featuring a huge multi-petalled flower in white and pink hues, 'Single Flower' showcases the elegance of nature.

Single Flower, 1982, acrylic/canvas 134 x 134 cm


The 'Rhododendron Flowers' painting presents a bunch of pink-white blooms set against a luminous yellow space.

Rhododendron Flowers, 1982, acrylic/canvas 134 x 134 cm


Visual narrative of the soul's ascent towards divine consciousness, illustrated with celestial orbs and undulating waves of light against a serene blue background.

Movement to God, 1984, oil/canvas 240 x 200 cm

The Soul’s Celestial Pilgrimage

In "Movement to God," I delve into the spiritual quest for the divine, a subject both intimately personal and universally resonant. This large-scale oil painting is my canvas cosmology, a visual testament to the soul's journey towards the celestial.

The tranquil blues and soft golds are not just colors but the essence of the heavenly path, the quiet, profound ascent of the spirit. Each circular motif and swirling pattern is symbolic of the cycles and seasons of life, the orbiting dance of planets, and the revolutions of galaxies—all echoing the soul's orbit around the divine presence.

As the eye travels across the canvas, it follows the energy guiding the spirit upwards, through the turbulence of existence and into the serene embrace of the cosmos. The luminous orbs serve as beacons or milestones, representing moments of enlightenment, instances of connection with the divine spark within us.

The creation of this piece was a meditative process, each brushstroke a step on the path, each layer of paint a veil lifted from the eyes. It is my homage to the mystic's journey, painted with the understanding that the quest for God is as much about the movement within as it is about the ascent upwards.

"Movement to God" invites the viewer to contemplate the vastness within, to recognize the divine that pervades the cosmos, and to find solace in the journey itself. It's a reminder that in the search for the Almighty, every heart is a pilgrim, and every soul is a star charted on its own celestial voyage.

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This painting depicts a human silhouette interwoven with a cosmic tapestry of green-blue landscapes, visualizing connection with the universe.

My Transparent Shadow, 1979, acrylic/canvas 75 x 100 cm

In 'Madonna with Baby', a blue Madonna and child radiate green, yellow, and orange auras throughout the artwork.

Madonna with Baby, 1992, oil/canvas 100 x 130 cm

Artistic representation of the dynamic energy patterns forming the universe, conveyed through soft, intermingling colors and organic shapes.

Energy Structure, 1978, acrylic/canvas 73 x 100 cm

Weaving the Fabric of the Cosmos

"Energy Structure" is a canvas where the celestial dances with the cellular, a visual symphony of the energies that construct our reality. The soft interplay of pastel blues and pinks suggests a delicate yet profound force, akin to the gentle touch of creation that constructs the macrocosm and the microcosm alike.

The patterns emerging across the painting evoke a sense of organic growth, like petals blooming in spring or cells dividing under a microscope. This duality mirrors the interconnectedness of all things—the way the universe expands, the way life burgeons forth, and how each of us is a microcosm of the larger cosmos.

In this artwork, I sought to capture not just the appearance of energy but its essence. The ethereal quality of the colors and the subtle transitions between them reflect the invisible forces that shape our existence, the unseen bonds and flows that maintain the order of the universe.

Each brushstroke is a meditation on the dynamism of the universe. The seemingly random dispersal of colors is, upon closer inspection, a meticulous arrangement that hints at the underlying order in apparent chaos. This is the quiet music of the spheres rendered in pigment—the harmonious principles that govern the farthest stars and the smallest atoms.

"Energy Structure" stands as an invitation to ponder the unseen architecture of existence, the framework of energy that is as aesthetic as it is scientific. It's a painting that asks to be felt with the heart as much as it is to be seen with the eyes, a piece that resonates with the vibrancy of the life force itself.

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In 'Lightworld‘, landscapes layer above one another, with tiny stars illuminating the blue-pink streaks between them.

Lightworld, 1986, acrylic/canvas 130 x 160 cm

This painting, 'Waves from Afar,' depicts golden landscape waves beneath a sky filled with big stars.

Waves from Afar, 1985, oil/canvas 90 x 120 cm

The 'Planet Dreams' artwork combines bird time, mountainous landscapes time, and stars time in glistening pearl-like colors.

Planet Dreams, 1986, acrylic/canvas 130 x 160 cm

Unveiling Timeless Beauty in "Planet Dreams"

In 'Planet Dreams', I present a canvas where temporal layers coexist: the swift flight of birds, the steady rise of golden mountains, and the endless stretch of stellar time. This painting transcends the usual constraints of time, inviting you to ponder our simultaneous existence within these varied realms. It's an homage to the power of living fully in the moment, where every element is interwoven in a dance of timeless beauty.

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The 'Birthday Galaxy' painting is a mesmerizing portrayal of a spiral galaxy, with a dazzling array of white stars set against a deep blue cosmos.

Birthday Galaxy, 1979, acrylic/canvas 250 x 160 cm

I need 38 seconds to respond to question: What galaxy is dreaming about?





In 'Christmas Unfolding,' a fiery spiral in blue space turns into mountainous landscapes under the stars.

Christmas Unfolding, 1985, oil/canvas 250 x 190 cm

The 'Cosmic Eye' painting captures a mystical blue eye of the spirit, radiating with vibrant spiral arms, symbolizing a view into the universe.

Cosmic Eye, 1986, oil/canvas 250 x 190 cm

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Reflections on the Cosmic Canvas

the blue hole is a spirit, emptiness,
light appears in the world in between

from the light space and fire are born
from space and fire our landscapes

that's how we are at home

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The 'Lady of the Stars' artwork features a celestial woman's silhouette set against a star-filled deep blue sky, radiating elegance and mystery.

Lady of the Stars, 1979, oil/canvas 70 x 100 cm

A demon's face emerges from cosmic blues and blacks, with a star acting as the third eye, creating a mystical and powerful image.

Demon Blue, acrylic/canvas 100 x 120 cm

Depicting half of a blue circle with arrow-shaped hills, 'First Half of the Nirvana' intertwines cosmic and terrestrial elements.

First Half of the Nirvana, 1986, oil/canvas 160 x 140 cm

The paintings in the ‘Lightworlds‘ series are primarily created with acrylic colors, using many translucent layers of thin colors mixed with paint varnish. I deeply believed that the multilayered brushwork and clear transparent space could lead the mind and open the heart to the essence of existence.

Explore another dimension of my artistic expression in translucent colors with the ‘Labors of Light‘ series, where I sought the Third Eye through my paintings. Discover the interplay between intuition, creativity, and the beauty of the cosmos in my art.

Discover "Labors of Light" →